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Cover
Table of Contents
Editor's Notes
Donations
Submission Guidelines
Website

Stories & Essays
Copy Machine Repair Guy
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By D.E. Fredd
Corrupted Youth
_ By Kurt Kirchmeier
Dragon's Breath
_ By Lionel Cheng
Even the Damned Deserve to Love
_ By Anna Cortez
Gifts
_ By Jocelyn Johnson
House of Cards
_ By Steven J. Dines
In Doubt
_ By Stephanie Thoma
Lipstick
_ By Michelle Baron
Old Biddy
_ By Claire Nixon
Quinceañera
_ By Hester Young
The Fiddler and the Faerie
_ By Samantha Rae
When Barky Smiles
_ By S.E. Diamond

Poetry
2 A.M. Window Shopping
_ By Chris McGuffin
Alison
_ By Harriet O. Leach
Cloudy New Year's Morning
_ By Richard Fein
Not Easy
_ By Samantha Ogust
On Hearing Li-Young Lee Read His Poetry
_ By Foster Dickson
Prelude and Coda
_ By Richard Fein
Rainy Night Meditation
_ By Harriet O. Leach
Retreat
_ By Richard MacAleese
Silage Team--Machete Thirst
_ By Leland Jamieson
Starlight
_ By Richard MacAleese
Stolen Phone
_ By Jorge Jameson
The Abandoned Playground
_ By Richard MacAleese
Thought Provoking Baked Crescent
_ By Chris McGuffin

Art & Photography
Daniel Bravo
_ Paintings
Tove Hedengren
_ Photography
Peter Huettenrauch
_ Photography
E. Hunting
_ Drawings and Digital Art
Robin McQuay
_ Drawings
Iris Onica
_ Paintings
Pete Revonkorpi
_ Digital Art
Roy Wangsa
_ Photography

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(Continued)

Barky and I start to run down the sidewalk, to be more like cars, but we quickly get tired. I can’t stop coughing. At PE when they make us run laps around the baseball field, I breathe in the wrong way, or swallow something, and can’t stop coughing. I cough out the water from my eyes. Then when I cough hard enough throw up comes out.

Barky ate too much wilted lettuce. We both stop running next to an Oleander bush and throw up a little. My throw up has little dots of ketchup, orange chunks, and pieces of dark gray meat. Barky’s is foamy with slivers of green.

“It’s ok, Barky, throwing up is healthy. Take it easy boy.”

In the suburbs, the avenues are wide. It seems a mile between stoplights. We don’t stop at the red lights. I tell Barky to go, when it’s clear. Then he walks on with his four legs across the street beside me. We get thirsty.

We have a drink of water at a faucet behind a gas station. I let Barky go first. A few drips of water splash onto my leg and make me cold. The neony gas station light makes Barky look shiny; I see my reflection in his black eyes. Mom should have given me a hat. At least her mother always kept her appropriately dressed. There are crickets in the bushes, so I roll up my socks. They only go up to my shins. The moon is erased a little, and is faded white. There are barely any stars.

Barky looks at me, anticipating my next move. I stand still. The crickets feel close, little breezes come off their legs and shake the Oleander leaves. Barky barks at them. He paces in front of the bushes wagging his short tail. One jumps out of the bush. Barky runs around behind it. Just as I sit down next to the air pump, the cricket jumps right into Barky’s mouth. His eyes get wide, and he runs around in circles.

Walking at night makes you more tired, because you should be sleeping at night. As we walk the last few blocks to the park, my skin feels itchy and I start to really want a flat, horizontal padded surface, with blankets. I think about the best nap I ever had, sleeping on an air mattress dressed in my grandma’s petticoats.

Walking across the playground sand, past the slide and swings, I pick up Barky to use him as a jacket. We duck under the metal rail into a full Oleander bush. There’s a mattress that smells like pee. Barky smells it and pees on it. My shorts must be filthy. One time I was hit by a car on my way home from school. I was wearing white jeans and had to tell my Mom I fell at school. If she knew how dangerous it was, she’d never let me walk home again.

I sit down next to the mattress. My head falls back against the heaviest Oleander branch it can find. Barky sits down next to me, putting his paw on my thigh. There are bumps on my legs, and my hands are in my armpits. The cold makes my hair feel wet. We didn’t mean to fall asleep, just a little rest on the way. My eyes close. I keep leaning onto the mattress that smells like pee. Every few minutes, Barky licks the skin between my nose and lips. It feels nice.

I wake up from dreams of Spanish because my ears hurt. But the Spanish wasn’t from my dream with little pencils dancing on a piece of floating wood, saying “hola, hola, hola” as they tilted back and forth. Rubbing my eyes, I see a Mexican man in a tank top holding a woman in a sundress. They’re sitting at the bottom of the winding slide. His brown arms have blue writing; they squeeze around the Mexican woman, hands folding around her squashy breasts. Except for a few leaves, branches, and pink flowers, me and Barky can see everything. As the man kisses her, his gold chain necklace entangles with her cross. He has a mustache; she’s wearing white Keds, with white socks folded over once. Then he stands up and her Keds follow him out of the sand into his orange car. They drive off.

Sitting in the bush, on the ground, I look at Barky’s face. He cocks his head as I squeal a high-pitched eeee sound. He has tiny whiskers. I love him so much. The way he smiles makes me want to see him every day. I don’t feel good. I pull Barky onto my lap. His head rests in the fold of my arm. I lie awake and think about my grandmother sitting alone in her house, taking small bites of bread, or reading by the window.

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S. E. DIAMOND just completed an MFA in Writing from Otis College of Art and Design in Los Angeles, and the bills are already piling up. S.E. works for the Slamdance Film Festival, and has an irrational love of dogs, except dachshunds, who have sharp teeth and aim for the face.

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