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Cover
Table of Contents
Editor's Notes
Donations
Submission Guidelines
Website

Stories & Essays
A Wedding Toast For Daddy's Little Girl
_
By Miriam N. Kotzin
Bread
_ By Debbi Pless
Flowers
_ By Rachel Miller
Gyokusai
_ By Julie Jordan
Hearts Without Armor
_ By Angela P. Markham
Mental Constipation and Brain Vomit
_ By Winnie Khaw
My Best Subject
_ By Ashley Polker
Piper
_ By Samantha Rae
Requiem For An Author
_ By R. Holsen
Sometimes It Pours Only Dogs
_ By Saana Tykkä
The Black Tape
_ By Brad Jashinsky

Poetry
A Slave To Time
_ By Clyde Windjammer
Colour
_ By Kaleen Love
Death By My Lover
_ By Jessica Tempestad
I Am A Pineapple
_ By Rachel Miller
Lament For the Lost Soldier
_ By Melissa Augeri
Laundry Arcade
_ By Ashley Polker
Left Silent To Dream of Wine
_ By Kaleen Love
Mortality
_ By Henry Grieves
Ode To Microsoft Spell Cheque
_ By Arielle Demchuk
Reminiscent of Society As An Individual
_ By Henry Grieves
Ship's Cook
_ By Heather Inwood
The Phoenix
_ By Kaleen Love
The Raven and the Dove
_ By Melissa Augeri
Train Dreamer
_ By Heather Inwood 

Art & Photography
S. Camargo
_ Photography and Drawings
David C. Clarke
_ Photography
Wiltekirra Samaxionn
_ Photography
Anca Sandu
_ Paintings
Austin Tanney
_ Photography
Ray Tsang
_ Paintings
Mark Warren
_ Photography

(Continued)

"Eddie," I say softly, leaning forward over the driver’s side door. He doesn’t hear me. "Eddie," I say again, louder this time. He still doesn’t hear me. "Edward," I say, enunciating each syllable. He hates being called Edward. Still no response. He’s just sitting on the bench in the hot sun. His face is still covered by his hands. He hasn’t moved. Not an inch. He probably has a migraine.

I don’t want to get out of the car. It’s too hot to think about moving. I don’t even want to be driving. I also don’t want to lay on the horn and scare him to death, because Eddie’s already shaken up enough. So I get out of the car, leaving the door open, and go over to him.

"Eddie," I say again. I put one hand on his shoulder, run the other though his hair. I expect him to draw a startled breath but he doesn’t. I expect him to jump beneath my touch but he doesn’t. He simply lowers his hands, folding them in his lap, and then raises his eyes to meet mine. Eddie has beautiful eyes, bright blue, always swarming with a sea of emotions. He has dark lashes, which make the rest of his face look younger. His brows are delicately arched. Eddie doesn’t say anything to me. He looks like he’s ready to cry. No. He’s already cried his eyes dry, which would have been fine, but Eddie isn’t a crying person.

I wrap my arms around him as I sit down next to him, and he rests his forehead on my shoulder. I can feel him shaking as he places his hands on my back. He’s trying not to cry again.

"It’s okay," I say, stroking his hair. I don’t know what to say. I don’t know what to do. I just hold on to him and let him hold on to me. I’ve never seen him like this, so damned vulnerable. In a way, I hate him for it. Still, I let him hold on to me, let him be the one to pull away, even though I want desperately to do so. It takes a while, but Eddie finally relaxes his grip. He can’t quite look at me once he’s broken our embrace. His blue eyes dart everywhere. He hasn’t cried anymore, but he’s close.

"You okay, sweetheart?" I ask. I’ve called him sweetheart ever since the first day I met him. This time, it hits a nerve. For both of us. Eddie gets up from the bench, turning away from me. He’s looking at my car.

"Nice car," he says, his voice uneven. Eddie has one of the strangest voices I’ve ever heard, like a stoner on helium—a little high, a little nasal, never entirely down to earth. There’s a hint of gravel too, from where he’s smoked too many cigarettes. I love the sound of his voice.

"I rented it in Vegas," I say. I hate the sound of my own voice. Always have.

"What kind is it?" he asks. He probably already knows the answer. Eddie wants to be distracted. So we’ll talk about the car.

"A black one," I reply.

I manage to get a laugh out of him, not much of one, but a laugh. "No, seriously."

"Fine," I say, "a black convertible." I don’t know anything about cars.

"It’s a Ford Mustang," Eddie says. He proceeds to run down the year, the horsepower, and a lot of other numbers that mean nothing to me. He’s a fucking connoisseur.

"Fine," I say, "it’s a Ford Mustang." Then I run off verbatim all the numbers he’s just told me. Eddie usually laughs when I do this; it’s an old joke between us. He doesn’t laugh this time. Instead he turns back to me, his eyes wide with desperation.

"You’re not mad at me, are you, Jenna?" he asks. His voice is close to breaking. There’s moisture in his eyes. It is very, very important to him that I’m not mad. Right now, to Eddie, nothing matters more.

"No, Eddie, I’m not mad at you." And I’m not. I’m mad, yes. But not at him.

"You sound like you’re mad at me. You look like you’re mad, too."

I stand up, though I do not close the distance between us. Eddie doesn’t want anyone close to him right now. He wants distance. So I’ll hang back a few steps. "I just wanna know what’s going on with you. You’re a mess."

"I know," Eddie says, a simple statement of fact. He sniffles and swallows hard. His eyes scan up one side of the dusty main street and down the other. "I didn’t think burghs like this existed anymore," he says. "I have to get outta here." And he goes over to my car, which I have left running. He slides behind the wheel and adjusts the seat. For a moment, I’m certain he’s going to floor the gas and leave me. Eddie is spontaneous. When he wants something, everything else is irrelevant. He wants to leave. For a moment, I’m certain he’s going to leave without me.

He doesn’t. Instead he looks up at me impatiently, drumming his hands on the steering wheel. "What?" he asks finally. And he really, really doesn’t understand.

"You don’t need to be driving right now," I say calmly, as though that’s the answer to his question. I want to tell him a lot more. Like, I may have ruined my entire life to help you. Like, why can’t you at least say thank you? Like, what the hell happened to you and why won’t you tell me anything? I may have ruined my entire life by coming to help him. Getting here wasn’t easy at all. Going home will probably be harder, if I have a home to go back to. I may not. It’s a very real possibility.

"It’s how I relax," Eddie says, oblivious to the burdens that threaten to break me. "I drive to relax, you know that. I relax by driving. Come on. I gotta go. I gotta get outta here. Let’s go. I’m okay." He’s talking quickly now. He talks quickly when he’s nervous. Right now, Eddie’s more than nervous. He’s a wreck. His nose is bloody and there’s dried blood in his pencil-thin mustache. A nasty cut is on his left cheek. It’s hard to see, though, but the skin around the cut is swollen and dark purple. He’s been in a fight. That worries me. Eddie’s a talker, not a thug.

"Let me drive," I insist. "You look tired, sweetheart. You need to rest."

Eddie sighs heavily, staring out the windshield at nothing in particular. I watch him in silence. I wonder what’s happened to him. He’s messed up; I’ve never seen Eddie so unstable. For a long time, he stares down the main road of the dust bowl we’re in, down toward the trailer park on the outskirts of town. There’s not much to look at, but Eddie seems interested.

"Where are we, anyway?" he asks, leaning forward on the steering wheel. He uses the wheel like a pillow, as though he means to curl up and go to sleep.

"Divinity, Nevada," I say.

Eddie sighs heavily. "I don’t even know how I got here."

(Turn the page)